While the Osmo 360 is available pretty much everywhere else, DJI has decided not to launch in the US “through official channels” at this time, probably due to the tariff situation and DJI’s ongoing difficulties with the US federal government. A DJI spokesperson tells me there is no estimated timeline for a US release, though things could change in the future.
Supersized Sensors
Returning to performance, the Osmo 360’s dual 1/1.1-inch square sensors are its main selling point, so I was curious to see if the larger 2.4μm pixels (twice the size of the sensor pixels on the Insta360 X5) and support for 10-bit color made a difference in tricky lighting conditions.
In bright daylight, the Osmo 360’s footage is sharp and detailed, with colors that pop, sometimes too much. On my video of a bicycle ride along the coast, the sky veered into that slightly artificial turquoise you can get when processing becomes a tad over-enthusiastic. Still, the stabilization is rock-solid, and the automatic selfie stick removal works flawlessly. Shooting at 8K 50 frames per second in 360 mode (or 4K 120 fps in single-lens mode) gave me plenty of flexibility for post-shoot reframing, and the D-Log M profile held up well when I graded some clips in post.
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